Richard Briers plays Godfrey Spry, who, having been hit on the head in a freak accident, ends up with an attention span of just 30 seconds. As a result he begins to obsess over TV commercials and begins to take advertising claims literally, causing erratic twists in his behaviour and complicating the lives of all those around him.

Set in the world of television broadcasting, Na Mi-rae travels back in time to prevent her 32-year-old self from marrying news anchor Kim Shin, thus sending her past self down a different path and enabling her to pursue the things she really wanted in life.

Martina and Lupita are two housemaids who steal shoes and clothes from their boss Marcela, trying to impress Lupita's boyfriend. When Marcela founds out about the robbery, she and her friend Marifer go looking for them to retrieve her stuff and bring them to justice. "What did you tell God?" is a comedy that uses Juan Gabriel's songs.

An early short film by Josh Safdie, co-written with Benny Safdie and featuring frequent collaborators including Sam Lisenco and Ariel Schulman. Running just over three minutes, it premiered at the 2006 New York Underground Film Festival.

A light comedy/love story based on the life of blind musician Tom Sullivan.

When a professor of religious studies is forced to investigate why his students are being murdered, he discovers what ended his own life and is then reborn.

When a professor of religious studies is forced to investigate why his students are being murdered, he discovers what ended his own life and is then reborn.

這段影片試圖通過靜態與動態影像的組合呈現碎片化的城鎮記憶。這些記憶是非連續的片段，並且被去除了原有的地理上的、時間上的和文化上的語境。它們在不斷變化的過程中塑造了我們對周圍生活環境的認知，但卻無法將我們與真實的記憶聯繫起來。最終在它們的影響下，我們將徘徊在現實與虛幻、過去與現在、地方與非地方之間的碎片中。 　　This experimental film was originally a video installation. It showcases fragments of urban recollections that one fails to place. These fragments are discrete, out-of-context and removed from geographical, chronological, and cultural frameworks. The still and motion images function in different manners of shaping our impressions to the urban landscape but both fail to connect us to the real memories. Eventually they linger as pieces in between the reality and fantasy, past and present, places and non-places.

這段影片試圖通過靜態與動態影像的組合呈現碎片化的城鎮記憶。這些記憶是非連續的片段，並且被去除了原有的地理上的、時間上的和文化上的語境。它們在不斷變化的過程中塑造了我們對周圍生活環境的認知，但卻無法將我們與真實的記憶聯繫起來。最終在它們的影響下，我們將徘徊在現實與虛幻、過去與現在、地方與非地方之間的碎片中。 　　This experimental film was originally a video installation. It showcases fragments of urban recollections that one fails to place. These fragments are discrete, out-of-context and removed from geographical, chronological, and cultural frameworks. The still and motion images function in different manners of shaping our impressions to the urban landscape but both fail to connect us to the real memories. Eventually they linger as pieces in between the reality and fantasy, past and present, places and non-places.